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If you imagine an ordinary moment

at an intersection in ‘‘London’’,

and there is a pause because there is a streetlight,

and some people are stopped and others in motion,

and some cars are stopped and others in motion;

if you were to put that into film terms as a “freeze frame”

and hold everything for a second,

you would realize

that there’s a universe there of totally disparate intentions,

everybody going about his or her business

in the silence of their own minds,

with everybody else

and the street

and the time of day

and the architecture

and the quality of the light

and the nature of the weather

as a kind of background or field for the individual consciousness

and the drama that it is making for itself at that moment,

and you think about that,

that’s what happens in the city,

in that somehow the city can embrace and accept and accommodate

all that disparate intention,

at one and the same time,

not only on that corner,

but on thousands of corners . . . .

E.L.Doctorow, introducing Ric Burns’ New York: A Documentary

If you imagine an ordinary moment

at an intersection in ‘‘London’’,

and there is a pause because there is a streetlight,

and some people are stopped and others in motion,

and some cars are stopped and others in motion;

if you were to put that into film terms as a “freeze frame”

and hold everything for a second,

you would realize

that there’s a universe there of totally disparate intentions,

everybody going about his or her business

in the silence of their own minds,

with everybody else

and the street

and the time of day

and the architecture

and the quality of the light

and the nature of the weather

as a kind of background or field for the individual consciousness

and the drama that it is making for itself at that moment,

and you think about that,

that’s what happens in the city,

in that somehow the city can embrace and accept and accommodate

all that disparate intention,

at one and the same time,

not only on that corner,

but on thousands of corners . . . .

E.L.Doctorow, introducing Ric Burns’ New York: A Documentary

UNWRAPPED CÉLINE

This is a hyppothetical project for Céline’s womenswear SS2017 collection. After having genuinely studied the brand, I dare say that Céline’s patterns are reduced, delicate and pure with a characteristic creativity intrinsic to the brand. With this collection, I aim to rip off in the most delicate and pure way, Céline’s delicacy and purity. Comparing as follows, to a clean and virgin wall that has been later modificated for example by graffity, posters, sickers or dampness among others. Those modifications are the ones I aim to do to her designs. The collection counts with reverse seams to give to understand that on the inside is clean and on the outside is not, as an unwrapped wall. Holes, fringes, under layers and mixed tetures are examples of ‘‘ Unwrapped Céline’’

Photography Adriana Faixo

Hair+ Make up+stylist+ clothes Celia Rollán

Model Mireia Oriol

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