If you imagine an ordinary moment
at an intersection in ‘‘London’’,
and there is a pause because there is a streetlight,
and some people are stopped and others in motion,
and some cars are stopped and others in motion;
if you were to put that into film terms as a “freeze frame”
and hold everything for a second,
you would realize
that there’s a universe there of totally disparate intentions,
everybody going about his or her business
in the silence of their own minds,
with everybody else
and the street
and the time of day
and the architecture
and the quality of the light
and the nature of the weather
as a kind of background or field for the individual consciousness
and the drama that it is making for itself at that moment,
and you think about that,
that’s what happens in the city,
in that somehow the city can embrace and accept and accommodate
all that disparate intention,
at one and the same time,
not only on that corner,
but on thousands of corners . . . .
E.L.Doctorow, introducing Ric Burns’ New York: A Documentary
If you imagine an ordinary moment
at an intersection in ‘‘London’’,
and there is a pause because there is a streetlight,
and some people are stopped and others in motion,
and some cars are stopped and others in motion;
if you were to put that into film terms as a “freeze frame”
and hold everything for a second,
you would realize
that there’s a universe there of totally disparate intentions,
everybody going about his or her business
in the silence of their own minds,
with everybody else
and the street
and the time of day
and the architecture
and the quality of the light
and the nature of the weather
as a kind of background or field for the individual consciousness
and the drama that it is making for itself at that moment,
and you think about that,
that’s what happens in the city,
in that somehow the city can embrace and accept and accommodate
all that disparate intention,
at one and the same time,
not only on that corner,
but on thousands of corners . . . .
E.L.Doctorow, introducing Ric Burns’ New York: A Documentary
EL PATIO DE MI CASA ES PARTICULAR
Designed in London and made in Barcelona by Celia Rollán
You can either PRE- order an illustrated silk scarf, make to measure any of the pieces or directly buy a size M. Any way, drop me an email and I will be super happy to help you, Celia
1º 3ª Silk Scarf 110€
Antonieta del tercero jacket 230€
Las del segundo top
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Ramón el marido de Antonieta skirt 350€
5º 3ª Silk Scarf 110€
Las del segundo skirt 370€
4º 1ª Silk Scarf 110€
Pepe 210€
Pablo dress 1300€
La Choni leggins 90€
Manuela la hija de Pepe 150€
2º 1ª Silk Scarf 110€
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Conchita la de enfrente 600€
Berta la vecina más guay 120€
2º 3ª Silk scarf 110€
6º 110€
Charo 1100€
2º 2ª 110€
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